Benet Catty Productions

Making History

The Story of Christ's College & The World 1857-2007

School production
by Benet Catty

Dates
May 2008

Performances
3

Audience
300+

Set Designer
Rob Myer

Lighting Designer
Benet Catty

Sound Designer
Simon Perkin

Audio Visual Designer
Andrew Bratt

Video Editor
Aslom Ullah

Company
Christ's College Players

Cast
Theo Antoniou-Phillips
Roy Appiah
Taylor Flanagan-Clark
Teige Gibbons
Tobias Jessop
Charlie Mays
Louis Moore
Fergus Oakley
Zoe Pittaway
Lucas Rudden




With
Husni Abboushi
Dapo Adeipe
Theo Andresier
Hisham Bettayeb
Neel Bhatt
Craig Cass
Dru Chetwynd
Taran Daryanani
Marlon Davies
Harry Kille
Bennie Kyte
Makeen Mansour
Hadrian Mikniche
Onur Oguz
Tino Patrides
Ehsun Tafsiri
Osman Tekcan
Amol Thakkar
Issy Van Der Velde
Jarrod Wei Jie Soo
Callum Whitehead

MAKING HISTORY- The Story of Christ’s College and the World 1857-2007 was created to mark the end of the 150th year of Christ’s College, a school in North London which counts everyone from the Saatchi Brothers to Harvey Goldsmith, from the Chief Rabbi to the chief political correspondent for the BBC among its alumni.



In May 2007, headmaster Gary Tucker contacted Benet Catty- who attended the school in the 1990s- to ask him if he’d consider creating some kind of stage event. Benet suggesting writing something linking the story of the school with some of the key events in the world, where possible using verbatim testimony from the school’s vast archive. Benet started working through documents, testimonies and interviews related to the school’s existence in November and by February was ready to begin casting.

The final production had a 36-strong cast of students aged 11 to 18 and interspersed verbatim testimony with imagined dialogue based on true events. It also included a highly complex multi-media ingredient, featuring images and specially-created videos which showed the world as it was, plus elaborate lighting and sound designs. Popular scenes included a scene enacting the school’s history of corporal punishment as a dance sequence; a restaging of the debate that took place in the 70s about the school becoming comprehensive; and a recreation of the celebrations of the end of World War Two. The characters ranged from former headmasters and students to Martin Luther King, Elvis Presley, Harold Macmillan, Winston Churchill, Margaret Thatcher, Teddy Rosevelt and the Wright Brothers.

Given the vast complexity of the production, what Benet always referred to as a “professional production with non-professional actors” as opposed to a ‘school production’, and given the current school’s lack of a drama tradition in the last few years, it is not surprising that the success of the production was achieved with gigantic effort and difficulty. But nobody could deny the ambition and professionalism of the event, far in excess of anything the school had ever conceived in its history, and so it was a credit to the daring of the headmaster and the efforts of those involved that the final show ended up being triumphantly received.

vivacreative

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